Andrea Chung‘s Blueprint series refers to quintessential colonial documents that served as carefully crafted engineering plans during the period of colonization. On them, techniques of architectural design, social planning, and law envisioned the development of slave castles, slave ships and colonial punitive law distributed by plantocracies.

May Day is a series of cutouts in which Chung allegorically removes laborers from their work environment to give them a day off. She explores the distribution and use of the images to promote tourism in the Caribbean. Juxtaposing found text from hotel and resort advertisements with objects of their labor, the artist asks: what is being sold and to whom?